Kayla Hamilton

Founder and Artistic Director, Circle O

A headshot of Kayla Hamilton, who is a milk chocolate colored Black woman. She is posing in front of a blurred brick wall, wearing a long sleeve black & tan striped shirt. She has light makeup and is smiling. Her black & golden locs are down.

Kayla Hamilton is a Texas-born, Bronx-based dancer, performance maker, educator, consultant and artistic director of Circle O—a cultural organization uplifting Black Disabled and other multiply marginalized creatives.

"Kayla is a purpose-driven artist dedicated to amplifying the creativity and power of those at the intersection of many marginalized identities. As a movement collaborator she thrives in the generative process, makes smart decisions, and takes risks."

SYDNIE L. MOSLEY
Artistic Executive Director of SLMDances

"Kayla's work drops me into her world, but not as a voyeur. Her work graciously guides the audience through her experiences in the world and offers us a different point of view."

NICOLE MCCLAM
Dancer and Audio Describer

"Kayla is a very talented dancer who is expanding ideas about disability aesthetics and audio description and their role in artistic practice. She's an incredible choreographer and dramaturg; learning from her has been a deep honor."

INDIA HARVILLE
Founder & Executive Director, Embraced Body

Performance

Kayla was part of the Bessie award winning ensemble Skeleton Architecture and has also danced with MBDance/Maria Bauman, Gesel Mason, and Sydnie L. Mosley/SLMDances. You can learn more about each those companies below.

  • Skeleton Architecture

    2017 Bessie recipients for “Outstanding Performance,” the Skeleton Architecture collective originated through Eva Yaa Asantewaa’s curated evening during Danspace Project’s Platform 2016: Lost & Found.

    The collective is a vessel of Black womyn and gender non-conforming artists rooted in the rigor and power of the collective in practice. They commit to engaging embodied research to support the African Diasporic experiences.

  • MBDance

    Founded by Maria Bauman in 2009, MBDance creates Black & queer speculative dance artwork centering our non-linear and linear stories, our physicality, our ancestors, and our ways of being in performance-ritual settings without tragedizing or tokenizing us.

    MBDance makes honest and bold art from a sense of physical and emotional power, an insistence on equity, and a fascination with intimacy and relationship.

  • Gesel Mason Performance Projects

    Gesel Mason Performance Projects is a project-based dance company that seeks to create meaningful, relevant, and compelling art events to encourage compassion and inquiry.

    Founded by Gesel Mason, the company utilizes dance, theater, humor, and storytelling to bring visibility to voices unheard, situations neglected, or perspectives considered taboo

  • Sydnie L. Mosley Dances

    Sydnie L. Mosley Dances (SLMDances) works with communities to organize for gender and racial justice through experiential dance-theater performance.  

     Their works reflect real life experiences central to our identities, and pulls focus to the stories of women and Black folks. The movement vocabulary fluidly integrates modern dance techniques and movement of the African Diaspora, while dancers frequently use their voice with spoken text and audible breath.

Choreography

At its core, Kayla Hamilton’s choreography consistently challenges the way we come together. It’s conceptual in nature, striving to create a container for multiple body minds—from performers to audience members—to exist in space.

Working from a disability aesthetic, Kayla invites performers to generate their own movement vocabulary rather than teaching them to move the way she would, opening up questions about hierarchy and who the work belongs to.

She centers cross-disabled folks and multiply marginalized folks whose bodies aren’t typically invited to the stage and includes access forms like ASL, audio description, and captions inside the work itself to explore different approaches to making dance.

Kayla enters into all of her work with a sense of curiosity and play, while simultaneously pushing up against both anti-blackness and ableism.

Kayla has shared choreographic work at the Whitney Museum, Gibney, Jacob’s Pillow, The Shed, Performance Space NY, New York Live Arts, Bronx Academy of Arts and Dance, River to River Festival, and Danspace Project.

Browse Kayla’s Artistic Work

Education & Facilitation

Kayla Hamilton has deep experience across education and facilitation, ranging from K-12 public school special education to university guest lecturing and residencies.

In addition to a BA in Dance and Master’s in Education, she prioritizes her own continuing education and is currently studying at the Laban/Bartenieff Institute of Movement Studies and completing a Teacher of the Blind and Visually Impaired Advanced Certificate from Hunter College.

Kayla Hamilton also co-developed ‘Crip Movement Lab’ with collaborator Elisabeth Motley—a pedagogical framework centering cross-disability movement practices which they have taught in multiple dance centers and universities around the country.

  • Laban/Bartenieff Institute of Movement Studies (ongoing)

  • Advanced Certificate in Teacher of Blind/Visually Impaired (ongoing)

  • Professional Development for NYC Dance Teachers

  • MS. Ed in 7-12 Special Education

  •  Bachelors of Art in Dance and Guest Artist in Dance

  • Professional Development for Teaching Artists

  • Department of Dance Teaching Residency

  • Guest Lecturer in Dance

  • Professional Development for Teaching Artists

  • Guest Artist in Dance

  • Guest Artist in Dance

Recognitions & Awards

  • Dance Magazine's 25 to Watch

    The dancers, choreographers, directors, and companies on Dance Magazine’s annual “25 to Watch” list offer heartening, imaginative, exciting possible answers to the question, “Where is the dance field headed next?”

    While you might not be familiar with the up-and-comers yet, editors and contributors from across the dance world predict that we’ll be hearing a lot more from these artists on the verge of a breakout in 2025 and beyond.

  • Bessie Award for Outstanding Performer

    Awarded to the ensemble of the skeleton architecture, or the future of our worlds, curated by Eva Yaa Asantewaa for Danspace Project’s Platform 2016: Lost and Found.

    The New York Dance and Performance Awards, The Bessies have saluted outstanding and groundbreaking creative work by independent dance artists in NYC for 40 years.

  • United States Artists Disability Futures Fellow

    Launched in 2020 as a three-cycle program, Disability Futures was designed in response to the disproportionate lack of recognition, funding, and professional resources afforded to disabled creative practitioners despite their outsized cultural impact.

    Fellows are selected through a process of peer nominations followed by the selection of finalists by a group of rotating panelists. Each cohort is ultimately confirmed by an advisory council of disabled creative practitioners who collectively guide the initiative.

  • Pina Bausch Foundation Fellow

    Finding a language for life —the Arts Foundation of North Rhine-Westphalia and the Pina Bausch Foundation have been following up on Pina Bausch’s credo since 2016 with a co-developed grant program.

    The Pina Bausch Fellowship for Dance and Choreography is for artists in the field of dance and choreography seeking to enhance their own artistic endeavors together with a cooperating partner of their choice.

  • Jerome Hill Artist Fellow

    The Jerome Hill Artist Fellowship supports early career artists based in Minnesota and New York City who are working in and across multiple artistic fields.

    Jerome Foundation seeks to serve artists who take creative risks in exploring, expanding, imagining, or re-imagining creative practices and experiences; reclaiming or reviving traditional forms in original ways; and/or questioning, challenging, or disrupting cultural norms.

  • NEFA’s National Dance Project Grant Recipient

    The National Dance Project (NDP) supports the creation and U.S. touring of new dance projects and connects artists, cultural organizations, and audiences across the nation.

    Now in its third decade, National Dance Project is widely recognized as one of the country’s major sources of funding and field building for dance.

  • Education Update Outstanding Educator of the Year

    Outstanding Educators of the Year go through a highly selective process starting with recommendations from school supervisors and culminating in a vote by EU’s Advisory Council, a prestigious group of school administrators, political leaders, business executives, university academics representing major disciplines, the press, and supporting philanthropists.

  • Wynn Newhouse Awards Recipient

    In 2006 the Samuel I. Newhouse Foundation established the Wynn Newhouse Awards. This awards program provides grants to artists of excellence who happen to have disabilities.

    Winners will be chosen by a committee composed of persons respected in the arts and disabilities communities.